Featuring harp, digital synth, strings, flute, and bassoon.
Magical and beautiful classical orchestral music track with unreal, picturesque surrounding of bells and birds chants. This piece is also suitable for use in videos that deal with the natural world, or as background music for drone footage or images of the natural world. Perfect for travel videos, shaman rituals, magical ceremonials, documentaries, spiritual videos, worships, ancient cultures videos, mystical and voodoo movies, or many more.Ī slow meditative piece in new-age style featuring flute, harp, and natural fx that is ideal for meditation, yoga, or aromatherapy. Instruments: flutes, leads, synth, drums, percussion, and funny pitched voice.Ī mysterious and mesmerizing native amazonian music with percussion instruments, flutes, woodwinds, kalimba, voices, and pads featuring. It is great for summer vacation, nightclub parties, hot fashion shows, Youtube vlogs, lifestyle videos, music for commercials, and more. It's a trendy tropical house tune with a fresh and hip vibe. The piece features two instrumental build-ups where orchestral instruments are joined by an ethereal synth pad. Magical musical elements such as the celesta, harp and flute phrases combine to produce enchanting accompaniment to a magical landscape, probably fictional where mythical beings such as wizards, elves and fairies live. Pixar, Dreamworks, Disney, Christmas movie or Harry Potter.
This track perfectly sets an exotic and mysterious atmosphere in any project.Ī track in the style of modern fantasy themes such as Traditional instruments such as the oud and qanun, along with cinematic elements, create a unique and captivating fusion of the old and new. The haunting melodies and rhythmic beats evoke images of wandering through the bustling markets of an Orient city at night, filled with the scents of spices, the glow of lanterns, and the sound of music. "Night Bazaar" is an enchanting instrumental track that combines the traditional sounds of Middle Eastern music with a modern twist.
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